第二幕·二十六

梁皖妮转身回到了肯的房间。

一路上，她想着要跟肯说什么。

问问他为什么要来中国？问问他为什么要把这部作品改成中文的？跟他叙叙旧？和他聊聊这部作品？

……

肯没有想到她会回来，很是诧异。

梁皖妮一下子又不知道该说什么了。

还是肯最先发话：“I didn't expect to see you in China.”

“If you want to see me, anytime.”梁皖妮说。

肯苦笑着：“I haven't written a script to my satisfaction for a long time. I don't know what I can talk to you about.”

“Anything. Life, family…”

“You are the only heroine in my heart.”

梁皖妮不好意思地笑了：“Don't put me under pressure. I hope you can guide our rehearsal.”

“Of course.”

梁皖妮拿出了剧本：“I haven't discussed this role with you yet.”

她特意带上了英文版的剧本。

“You still keep the original script?”肯惊讶地问。

“Right. For me, each script is my friend. I won't throw them away.”

一天，余飞文请假了。他要送凡妮莎回美国了。

他感觉一身轻。

凡妮莎在旁边，他感觉受到了束缚，不敢瞎说什么。

上次说凡妮莎是自己女朋友，他到现在还提心吊胆的。

排练室里，梁皖妮正坐在桌前。余飞文走到她身边，俯下身去，一只手搭在她的背上，一只手握着她拿笔的手。

淡雅的香水味沁人心脾。余飞文想要把这味道留住。

可是肯不合时宜地打断了他：“I don't think a male teacher will behave like this to his female students. The heroine is not a child who has just entered primary school.”

余飞文很是扫兴，没好气地和肯理论：“The teacher fell in love with the heroine. The audience have no access to the script.”

梁皖妮站在肯那一边：“But our performance should be realistic. In addition, we have to consider what the audience can accept.”